Feature: Top 10 Anime of 2016 Second Half
Well the end of the year is upon us and and since I’ve
already compiled my top 10 of the first half of the year it is not time to to
look over the second half of the year and see what went right or wrong. This
will be my top 10 series of the second half of 2016. Only series that finished
this year eligible for my list and short series will have their own separate
list. Without further ado and in no particular order here is my top 10.
Flip Flappers
Sometimes a show comes along that is so out there, so
bizarre and weird that it strikes you straight away. Flip Flappers did that to
me with its crazy premise that sets up and even crazier ride of a series that
takes you to so many places you could not have thought of.
Basically Papika meets Cocona who she believes to be special, after pleading and pleading Cocona agrees to go on an adventure with her once but this sets in motion on hell of a rollercoaster ride as they enter a dream like state where the imagination runs wild. They are collecting these stones but have to fight to get hold of them as someone else is wanting to in their own aims. It’s simple setup but everything after that is just a joy.
Basically Papika meets Cocona who she believes to be special, after pleading and pleading Cocona agrees to go on an adventure with her once but this sets in motion on hell of a rollercoaster ride as they enter a dream like state where the imagination runs wild. They are collecting these stones but have to fight to get hold of them as someone else is wanting to in their own aims. It’s simple setup but everything after that is just a joy.
What I loved most about this series is the imagination
that has gone into it. They visit futuristic cyber world, a Mad Max style
apocalyptic world, a haunted school that provides no escape to entering someone’s
dreams and altering their minds. It will never repeat itself, never feel stale
and constantly surprise you with what it tells, the specs of information it
releases to you to make you think. It looks fantastic and treads the right line
between cartoonish and elegance.
It is also helped by the animation. It is so, so smooth.
It flows perfectly, never letting up, never feeling clunky and this means we
get some wonderful set pieces, be it fighting a giant monster, entering or fighting
against an evil organisation it never ceases to amaze me just how well it
works. It is one of the smoothest, fluid animated shows I have seen this year,
up there with Macross Delta.
Ajin Second Season
The second season of Ajin took what made the first so
good and just upped the ante to the point where every episode was wrought with
danger and mayhem ensues as Satou continues his rampage and playing games.
The true highlight of this series is the highlight of
season one: Satou. A villain so delightfully insane, so set in his ways and
just, well, badass. He is the embodiment of that. His plans are second to none
taking into account every possibility, he never reveals his full hand, his
combat experience allows him to take on all elite on comers and most of all is
seeing how much fun he has. He loves the chaos, loves playing it like a game
and that his is goal, to see how exciting it is. He is without a doubt one of
the best villains I have seen in anime for these reasons.
But that is not all, so many intertwining story threads
join together or get expanded on here. From how Kei and Ko adapt to the every
changing dangerous landscape to what the deal is with Tosaki and Shimomura with
a suitably sad back-story. The inclusion of the Americans brings more twists
and turns as well to ramp up the danger even more as Satou enjoys the chaos.
In essence this second season thrusts into the light the
danger the results of what happens when you constantly put down the Ajin, when
you demean them and deny the cruelty inflicted upon them. The results are
simply glorious. If you want an action horror series then look no further than
Ajin. Even the CGI (which I was a fan of) has improved to look more fluid and
flow better. My only complaint is the waiting to see if we ever get more Satou.
Macross Delta
What more could I possibly say about this series that I
didn’t in my review? Not much but I’ll try. Heavily anticipated by myself and
worried that my expectations would only lead to disappointment I was in awe of
what came through. A vast array of incredible characters really make up why I
loved this, each delivering on numerous twists and shocks as well as emotional
moments that left one hell of an impact on me.
Hayate is a drifter going from one place to the next but
upon meeting Freyja, a stowaway, his life change. The action is one of the
highlights of any Macross series and here they do it justice. The sky battles
with the Valkyries are always on point, ramping up the tensions, showing a
spectacle of air combat to impress even the most sceptical or uninitiated mecha
fans. Seeing the Elysion rise and protect Walkure, seeing the tactical battles
between commanders come forth is a joy to watch and leave lasting impressions.
And of course the music is there to really draw you in.
Idol music is something I have differing opinions on so it has to really stand
out to keep me hooked and Walkure did just that. Whether it be upbeat high
tempo songs that put a smile on your face, songs that get you pumped up and
into a fighting mood or melodic ballads they never fail. With JUNNA voicing
Mikumos singing part and Minori Suzuki voicing Freyja it gave rise to 2 new
incredible talents.
That is not to forget the intertwining thread heavy story
that takes enough twists and turns to leave you saddened, in a rage or utterly
shattered emotionally as Hayate comes to terms with who he is, what is
happening to those around him and much more. That they can do this while
fleshing out the abundance of characters here just shows you how impressive
they are. A true wonder and deserving of its place in the Macross canon.
Re:Zero kara
Hajimeru Isekai Seikatsu
This show hit big time on its arrival and I could see
why. It is deceptively good and arc after arc raises your expectations, crushes
you emotionally then delivers those expectations. The feelings I had watching
this, seeing Subaru go through torment after torment, seeing characters grow
exponentially, suffer and rebound is sight to behold and a true standout of
anime let alone just this year.
It starts off with Subaru being transported to another
world and follows what you’d expect, confident otaku neet knows all the ins and
outs but it is when he and new found friend Emlia are brutally murdered that it
takes twist. Subaru wakes in the same spot he was at before in the same
scenario. He can revive at a save point of sorts and restart but this is where
his story begins. Why does he have this power? What will he do with it? How
will he cope with these memories, these moments that don’t exist to those very
people who created them? It’s engaging and fascinating to see it all explored
thoroughly.
This restarting after death is used in countless ways to
really ramp up your emotional investment, from seeing your favourite characters
die, Subarus determination to not let it happen to the effect it has on his
personality. That last part is crucial as his development throughout is superb
and one of the main successes of it until he breaks until he can grow again and
learn, truly learn from his mistakes. It’s not something you see every series,
especially ones based on going series so you savour how well it is pulled off.
With action, phenomenal world building as thread after
thread is weaved, character development for all resulting in standout emotional
encounters, a delectable score to help heighten the nature of events, gripping
story, perfect pacing and wonderful animation there is nothing I did not love
about this as every episode pulled me in more and more, sucker punched me when
I least expected it, made me shout at the screen, shed tears and these cruelly
beautiful moments. It is one of a kind and proof never to judge a book by its
cover. Outstanding.
Having loved the manga for a while now when an anime was
announced I was bewildered yet overjoyed and the end result whilst not perfect
is more than I could have hoped for as it takes what is so absurd about this
series and focuses purely on that which leaves all other sports shows trailing
behind.
Based on a fictional professional sport where girls knock
each other into the water using their asses and boobs it is simply ridiculous
but in such a good way. It’s over the top (bit of an understatement) but always
takes itself seriously which is part of the fun. The insane level of powers
here is out of this world. Twisting boobs, hunting asses (with lion flames of
course), boob hypnosis, pulling up their swim suit for super speed,
transformations, nipple sword slashes and so much more.
It is ludicrous and so fun to watch. Every episode I was
in hysterics with a smile fixed permanently to my face. Sure it features all
the tropes you’d come to expect from a sport series but it pulls them off with
such exquisite execution you forgive it. It’s this spin that keeps it fresh and
keeps you hooked.
Yet whilst that is the main focus the characters get good
development as well with motivations, growths, interactions and more. Each character
has their own motivations, their own back stories and whilst not all are
touched upon the ones that are such as Sayaka is actually quite heart warming
by their conclusion. If you love fan service, over the top action and just want
to smile then you have to watch this show.
Hibike! Euphonium
Second Season
The first season caught me off guard, I watched because
of KyoAni and was utterly drawn into to this world and engaged with the characters
and a club band, an actual brass band which I had not seen before.
This season is more focused on character drama which I
actually liked a lot more as it explores some of the questions the first season
raised such as what is the deal with Kumikos sisters, what is Asuka really
like, what happened with the first years in the club beforehand and more
helping create more of a complete picture and getting me to really like the
characters here. There is also less yuri-baiting but it still seems destined to
go the route of Kumiko and Reina ending up with each other.
This character drama may be heavy but it is the way it
pays off that really makes it worth it. The time spent building up these
events, the ever so small movements behind the scenes so to speak, the way
characters inadvertently set up trouble leads to a big payoff where you will be
put through the emotional wringer along with them as pent up anger, frustration
and sadness burst onto the screen and into your ears. Quieter emotional moments
exists and pack as much punch as well such as Kumiko unknowingly breaking down
on a train that will tear you up.
And of course it looks beautiful. From scenery to the
instruments to themselves to the small but crucial animations that display
characters emotions KyoAni is on the top of their game here. A special mention
to the performances with one in particular early on which was a magnificent 5-7
minutes of a band playing. It is simply sublime in the movements, the close-ups,
the barely noticeable strains and the concentration.
There are just so many elements here that all come
together to create a visually stunning, engaging and emotional show. I cannot
recommend it enough as it showcases just how good KyoAni are and what they are
capable of.
Amanchu!
I had no idea what to expect with this series other than
involving scuberdiving so it was more than a pleasant surprise that it was a
mix of not only that but slice of life, comedy, relaxing and full to the brim
with charm. Futuba moves to a new town, away from her friends and she feels
down but an encounter with Hikari an energetic, gung ho girl who sees the
positive in everything rekindles a little spark in her.
It’s a very positive story following Futuba and it warms
the heart seeing it. More so when real emotional moments come to the fore as
Futuba realises that she has people who care for her, that will help her
through tough times and that are actually helping her come out of her shell. It’s
fascinating to see, incredibly heart-warming that her fears are allayed and
people like her and care for her whilst she grows into something she didn’t
think she could be again. The emotional scenes play a crucial part and the
execution of each one leaves you feeling all warm inside.
The art here is beautiful from depicting the sea when
scuberdiving to the gorgeous views around the town and more including the
characters that shares this wonderful art such as the refreshing school uniform.
It doesn’t stick to just one style though as the almost muppet like art used to
depict many of the comedy scenes I found particularly adorable and it was
always used in the right moment leaving the regular art for more serious
scenes. It helps that the comedy in these scenes can range from physical to
subtle and always struck a cord with me leaving me with at least a smile each
time.
This isn’t a slice of life where nothing happens either
as away from the relaxing scenes there is a real focus on scuberdiving. From
setting up to how to breathe properly to what you do in an emergency and so
much more. It was clear that there is a real passion for this behind it as it
always stayed realistic and in depth as well as showing the true open joy of
it, the feeling of this open expanse. I came away from this feeling so very
positive yet also so very relaxed and wanting to go scuberdiving myself. It
accomplished a lot of things and had me hooked each week which is a sure fire
way to say it has succeeded on many levels.
Orange
Romance series between high school kids has to really
stand out to me and that is just what Orange did here with a time travel
gimmick that didn’t feel too out there to lose any interest. Technical talk
about time travel can quickly take over the main heart of the story if not
careful but Orange manages to navigate it’s way past this.
Naho has received a letter from the future from her
future self, in it she says that Kakeru committed suicide and that her friend
have deep regrets on this. Not believing it Naho continues like normal until
events form the letter happen with freighting accuracy. She then decides to
save Kakeru from this. I haven’t seen something play on time travel like this
before so I was fascinated from day one and seeing the reality of their situation
bite the first time shook me as was even more engrossed in this.
It is sweet and heart-warming at the same time. Saving a
loved one if you got the chance may be cliché but here it just works. The
developments throughout really hit me emotionally to the point I was in tears
along with Naho at the thought of Kakeru dying. I went through it along with
them, shouting at the screen to save Kakeru, I felt as though I was there and
seeing an emotional wreck that Kakeru had become, his near misses, his longing
for happiness yet constant regrets about his perceived selfishness.
Bringing out those feelings in me was exactly what a show
should do when it treads the emotional path. It gave enough to all characters
involved to make me care, developed them enough, fleshed them out enough to
make me truly care what happens. It feels all real as well in the erratic state
Kakeru is in, what he feels. The overwhelming feelings of anger, sadness and
being genuinely gripped to see what happened next quickly overshadowed any
minor flaws here to create a sublime experience.
Fune wo Amu
Who knew a series about making a dictionary could be so
fascinating and enjoyable? Not me but that was the case here as we follow
socially awkward Majime as he enters the world of words and finds a new home, a
new calling where someone like him who always felt out of place can do
something meaningful.
What I like about this is the detail on which making a
dictionary requires, from deciding which words may or may not be appropriate,
the theme of the dictionary, the struggles of making a resource heavy book like
it in a business world where short term revenue trumps long legged books,
tackling problems that arise to even the right texture and feel of the paper.
That these topics can create an enthralling story is an incredible achievement.
The characters play just as big a part and are just as
interesting. Majime is socially awkward, loves books and in ways has a
childlike demeanour. Seeing him evolve so to speak, seeing him adapt to new surrounding
to react to new emotions he has never felt is wonderful. As is the supporting
cast who not only help him but have their own growths such as Nishioka who,
whilst not pining for his job, actually demonstrates just how much it has
affected him.
I cannot recommend this enough, not only is it a fresh
new topic rarely tackled but it is also a refreshing change from the regular
anime you get with less of a focus on certain aspects such as romance that
would usually be pored over and act like it’s the newest thing in other shows.
This show features actual adults in ways actual adults act which is simple
refreshing.
Drifters
From the creator of Hellsing I expected much and it
delivered in spade with fierce action, fantastic animation (for the most part),
a weird and wonderful sandbox of a world and stylistic. Multiple famous
characters from history are in essence plucked from heir real world positions
before their deaths and find themselves in front of a man in a desk before
being whisked off to another world where a group calling themselves The Ends
are attempting to take control and led by the Dark King.
The setup allows for an almost endless supply of
characters, events, scenarios and action. It’s interesting to see how these
great historical figures react to one another, the world they live in, the
races of this world and the advancements in technology since their times.
Seeing Oda Nobunaga adapt to his surroundings one of his plans, seeing Toyohisa
take on Jeanne d’Arc, seeing Anastasia freeze everything around her or Yoichi
leading a troop of archers is just wonderful as you never know what you’ll get.
The action is one of the standout memories from this
series for me. Swathes of bloody violence, people ripped apart, torn to shreds,
gutted, heads cut off it is a sight to behold as anime rarely ever gets this
gruesome or violent. That’s not to say it is just all action as Oda Nobunaga
devises a plan to take this new world through any means and we only get
glimpses of EASY and Murasaki the orchestrators who sent these warriors there,
their goals shrouded in mystery.
I simply had a lot of fun watching this, it drew me into
their gritty, dark world, delivered action that holds up against any other and even
had brief breaks of comedy which whilst not for everyone had me smiling each
time they popped up such is the start contrast in tone to the real world
antics. It has me thirsty for more and leaves a lasting impression.
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